(Previous posts here, and here.)
So, let’s talk about patch theory! I should start by saying that I have obviously drawn a lot of ideas and inspiration from darcs, and especially from the wikibook explanation of darcs patch theory, but I do think there might be some nuggets of original contributions here (in subsequent posts at least), but I’m not yet familiar enough with the literature to really say.
In this post I’d like to start off by giving an overview of the basics of patch theory, to lay a foundation for the things I plan to talk about in future posts.
Patches and documents
A patch is essentially a function which takes a document as input and produces another document. A “document” is just any sort of thing that we might wish to modify. In the context of darcs, a “document” is an entire directory tree; in a collaborative editor it would be just a single file.
Note, however, that patches are partial functions: not every patch can be applied to every document! For example, a patch which (to use a darcs example) makes a modification to file X cannot be applied in a context in which there is no file X. As another example, a patch to delete the character ‘z’ from the first position in a file cannot be applied to a file which begins with the character ‘y’. But thinking of patches as partial functions is not a very useful point of view. The main point is that the context of a patch matters—both the context to which it is applied, and the context which it produces. We will write to denote a patch
which, when applied to document
, produces document
. We say that
is the domain of
, and
is its codomain.

Of course, this immediately suggests…
The category of patches
Patches can be most usefully viewed as morphisms in a category with documents as objects. (If you don’t know any category theory, don’t worry: the rest of this post doesn’t particularly depend on any background knowledge.) To wit: given two patches and
, we can compose them to form the composite patch
, which has the same overall effect as applying first
, then
. (Of course, there are good arguments for writing this composition in the other order, like
—function composition and all that—but this is the way I’ve been writing it, so get used to it. =)

Since patches can be viewed as functions from one document to another, and function composition is associative, patch composition is obviously associative as well. Finally, for every document , we will have a null patch
which sends
to itself.

Since we’re very interested in the “undo” operation, we also require that every patch must be invertible—that is, for every patch there must be a corresponding patch
, such that
and
. Of course, this also means that
.

So, the category of patches is actually a groupoid. A groupoid can be viewed as a set with inverses and a partial binary operation—here, the partiality comes from the fact that not all patches can be composed—but I prefer the category-theoretical view of a groupoid as a category with all morphisms invertible. Because really, who likes partial functions?
(A quick note: I’m playing a little fast and loose with patch equality here; when I say that two patches are equal, what I really mean is that they are observationally equivalent. So technically, the morphisms in the category of patches are equivalence classes of patches; in a particular implementation there may be patches with distinguishable representations which nevertheless have the same effect — that is, they produce the same output document given the same input document.)
Commutation
The other central operation on patches is that of commutation. As a motivating example, let’s consider the problem of undo in a text editor. Suppose, starting from a blank document, you sequentially apply the five patches through
. Therefore, the current document state can be described by the composite patch
Now suppose you want to undo your last change. This is easy: since every patch has an inverse, you can just apply to obtain
(In practice, to remember the fact that you performed an undo, and to allow the possibility of redo in the future, an editor would retain the patches and
rather than deleting them. But the overall effect is the same.)
Nice. But what if you are using a collaborative editor, and changes and
were made by a different user (perhaps you are not even aware of their changes, if they were made in a different part of the document)? You want to undo patch
, which is the last change that you made, but simply applying
doesn’t work anymore, since
cannot be composed with
(the codomain of
does not match the domain of
)!
We need a way to “move” to the end of the patch sequence, like this:
Now we can simply apply the inverse patch to undo.
This process of reordering patches is referred to as commutation. The composite patch commutes to the composite patch
(written
) if
, and
represents “the same change” as
, and similarly for
and
.

Of course, “the same change” is quite vague, but it’s a necessary restriction; just requiring that is not enough, since in that case we could, for example, choose
and
—obviously not what we want. I’ve wondered whether there is a formal way to pin this down, although I think it might depend on the particular document type being used. However, for now a simple example should suffice.
Suppose Alice and Bob are editing a document together, which contains the word “cap”. First, Alice inserts the letter “m” at position 2 (positions are zero-indexed), to produce the word “camp”; call this patch . Next, Bob inserts the letter “r” at position 1, producing the word “cramp”; call this patch
. Now Alice decides that she wishes to undo her change, since “crap” is a much better word than “cramp”. In order to do this, the patches
and
must first be commuted: we want to find patches
and
such that
adds the letter “r”,
adds the letter “m”, and when composed,
still sends the document “cap” to the document “cramp”. In this case, it’s not too hard to see that
should still insert “r” at position 1, but now
should insert “m” at position 3 instead of position 2, since the location in the document where
inserted an “m” has been “shifted over” by the patch
.

After commuting and
, the patch
can now be applied to undo Alice’s change.
Now, the big question: does every pair of patches commute? In the case of a version control system like darcs, the answer is definitely “no”. For example, suppose creates file X, and
adds some content to file X. There is no way we can meaningfully reorder the two patches—content cannot be added to file X before it has been created! In the case of a collaborative editor, on the other hand, the answer is… maybe? This is one of the central questions I plan to address in later posts.
If the patches and
commute, a nice property that we’d like to have hold in all cases is
that is, we want the commute operation to be an involution, so applying it twice is the identity. This also has some interesting implications for the theory of a collaborative editor, and it will come up again in later posts, too!
Merging
The other fundamental operation on patches, of course, is merging: taking two patches made to the same document in parallel, and merging them into a sequence of patches that performs both changes. In a version control system, this happens all the time, when two people have the same source and start making changes to it at the same time, and later want to get the other’s changes as well. It happens in a collaborative editor, too, because of network latency. When you start typing something, someone else may have already typed some things that have not yet propagated to you over the network; when you finally receive the propagated changes, they will have to be merged with the changes you have made.
It turns out, however, that merging is really not a fundamental operation at all! It can be implemented very simply in terms of commutation and inverses. Here’s the situation: suppose we have two patches, and
, made in parallel to the same document,
. We want to find a patch
which performs the “same change” as
, but which can be composed with
.

How can we find ? The key is to note that if we invert
, this looks just like the diagram for commuting two patches, but on its side!

In other words, to merge patches and
, we first commute
to obtain
. Then we can simply discard
. (Of course, this sounds like wasted computation, but supposing we were to use some sort of lazy language… =) Let’s illustrate this with a simple example. Alice and Bob are at it again; this time, they are editing a document containing the word “hat”. Alice adds the letter “c” to create the word “chat” (patch
). At the same time, Bob adds the letter “s” to create the word “hats” (patch
). Now Alice’s editor gets Bob’s patch, and needs to merge it with Alice’s. Commuting
yields
, as shown in the diagram, and Alice’s editor applies patch
, producing the document “chats”.

Of course, at the same time, Bob’s editor receives Alice’s patch, and performs the dual merge shown below.

This illustrates an obvious and important property that must hold: merging must be symmetric! From the above two diagrams, we must have .
Onward
Alright, enough for today! Next time: some actual Haskell code implementing all of this for a simple document type!
Some other resources which might interest you: the discussion page on the page theory part of the darcs wikibook has some attempts at formulating patch theory in category theory terms (I confess I have only skimmed your post so don’t know if you had noticed it ) and also Ganesh’s talk ( http://www.londonhug.net/2008/02/02/video-darcs-and-gadts/ ) on GADTs and darcs.
After identifying patches to form a category, it is easy to see that a path in the category (if interpreted as a graph) forms the free category of patches. Actually darcs2 has a Haskell datatype to model it, called FL (forward list). In my blog (http://heisenbug.blogspot.com/2007/11/trendy-topics.html) I call it “Thrist”. Maybe the name “Star” would be most appropriate, see http://sneezy.cs.nott.ac.uk/fun/nov-07/R-star.pdf.
Eric: thanks, I had not seen that discussion page! I have indeed watched the video of Ganesh’s talk, which inspired some of the code I’ll show in my next post.
Gabor: aha! Excellent. I felt intuitively that there must be some connection between Thrists and the category of patches… now it has become much more clear.
Great post, thanks!
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